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"Particularly
perceptive and engaging." "Miriam
Levine, as her family used to say, was 'born with a mouthpiece', by which
the forever-dying world is turned into artful speech and made to live
again. from a portrait of a syphilitic uncle to a visit to the aging Jean
Rhys, this wonderful memoir endows Levine's world with the second life
of art." |
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